I arrive at Broadcasting House to appear on Robert Elms’ BBC London programme twenty minutes early; I didn’t want to turn up late and breathless and pant into the microphone.
I sign in at the security desk, sit and flick through the BBC staff magazine, Ariel. BBC reception areas seem to have been designed to give the impression that no licence fee money what so ever has been wasted on such frippery as comfortable chairs.
A young man with spiky hair and a heavy leather jacket appears at the security gates to take me up to the studio. He is about to speak when a man in a pork pie hat charges through the sliding doors. He is panting, red in the face, and cursing the inefficiencies of the Victoria Line. “I’ve just run all the way from Oxford f*cking Circus,” he says, and kneels in front of the water cooler and drinks several cups. I notice his hand is trembling. I decide against pointing out that the tube station is only about 100 yards away, or the fact that I had managed my own tube journey without a hitch.
Still breathing heavily, the man in the pork pie hat accompanies us to the studio floor. As soon as the lift doors open, he barges out and runs straight into the studio. I sit in the waiting area, and listen on the wall-mounted speakers to his continuing complaints about the short comings of the underground system, this time without the cuss words.
I had been told that I would be on-air just after 11, for about half an hour, but it’s 11.20 before I am called into the studio. I am introduced to Robert Elms and he tells me about his travels in Mexico as I am placed in front of a microphone on the other side of a padded desk from him.
The theme for the programme today is genealogy, and I am here to talk about The Mango Orchard as an example of a genealogical search which culminates in a remarkable discovery. I’ve been interviewed enough now to be able to tell the story about how I travelled in the footsteps of my great grandfather and discovered the Mexican village in which he had left over three hundred descendants, in several different ways. Today, Robert is getting the family history-themed, half hour version.
I am mystified when, only two minutes into my interview, Robert starts signalling for to me to make my answers shorter and snappier. What is he thinking? We’ve got thirty minutes to fill! The interview is almost over before I realise that, perhaps because of the late arrival of the man in the pork pie hat, I only have ten minutes. Or I had ten minutes. Suddenly it’s over and I am out in the street again.I walk to Oxford Circus station and get stuck on the Victoria Line